Wind down after your 9-5 at the WMC as Dolly comes to town in this riotously funny new musical featuring 15 of the country legend’s hits.
Set in the summer of 2020 we open on the newly single Kevin, quarantining in his parents’ attic, surrounded by the paraphernalia of his younger years, including his many Dolly Parton posters and records. In between disinfecting the shopping, counting loo roll, and consuming more calories and alcohol units than are recommended, Kevin is trying to get over his ex, Jeremy. Seeking comfort in the tones of his idol, he is soon joined by his rhinestone country godmother who tries to yank him out of his mid-life crisis and tell him what Dolly would do.
Tricia Paoluccio looks, walks, giggles and talks just like Dolly. She captures Dolly’s warmth and wise crack wit and her accent is spot on. Her vocal range impressed, from singalong hits like 9-5 and Jolene to the emotional I Will Always Love You and Love Is Like A Butterfly.
Aiden Cutler, who was filling in last night for Steven Webb, gave a brilliant performance as Kevin. This is his story, and the audience are invited into his innermost thoughts, struggles and fantasies. He’s relatable and genuine as he navigates heartbreak and failure, during what was undoubtably a difficult time for many. But as he rediscovers himself, he matches the energy of Dolly, owning his part in the fan favourite Islands In The Stream.
The live band aren’t hiding in the pit below stage but very much part of the story. Whether they’re in the background up in the eaves of the house or joining the two main characters on stage for an impromptu drinks party Alex Akira Crawford, Ben Scott, Jordan Li-Smith and Kevin Oliver Jones bring the performance to life. Special mention must go to backup vocalist Charlotte Elisabeth Yorke who, as well as voicing supporting characters, has a superb voice and is a star in her own right.
A convincing attic room complete with toys and furniture many will recognise from the 80’s and 90’s, later gives way to a full stage in this cleverly constructed set. Costume changes take place on stage, and the attic’s tiny en-suite must hold a number of outfits, with four classic Dolly looks being showcased throughout the performance.
Audience members are actively encouraged to participate, with characters breaking the invisible wall and acknowledging their onlookers. There’s also a full singalong finale, which I’m sure spilled over into the car park. Go armed with a full phone battery for the ‘lighters up’ moment!
Peppered with references that anyone who lived through covid lockdowns will understand (banana bread anyone?) this is truly a musical for our age. A journey of self-discovery set to the tune of the biggest country music hits of the 20th century.
Here You Come Again was originally written by two-time Emmy award-winning comedy and songwriter Bruce Vilanch with Gabriel Barre (who also directs) and Tricia Paoluccio. After several successful runs across the United States it has now been adapted for the UK by acclaimed British playwright Jonathan Harvey (Gimme, Gimme, Gimme and Coronation Street). It is touring the UK and has yet to visit the West End.
See Here You Come Again at the Wales Millenium Centre 27-31 August 2024.
You can find out more details on performance times and to book tickets here.
